![]() ![]() ![]() heart. Perhaps because, having never met his mother, he is basically a bit like her. In this sisterhood, in this female solidarity, one of the key themes of cinema in recent years, in this sense of protection, there is perhaps the heart of the film, the most interesting thing. ![]() Then remain the interpretation of Mary Elizabeth Winstead, the moments in which Woody Harrelson is on stage, and the relationship that is created between Kate and Ani, the Japanese girl initially chosen as a hostage, but destined to somehow enter her. Kate thrives on a race against time, on the suspense that comes from having counted hours. It is the descent into hell of those who have nothing to lose. It is a film that, in its own way, is monotonous in its development. Although there is a deception to be discovered, although there is a life in danger, and then two, when Ani ( Miku Martineau) enters the scene, the girl that Kate takes with her as a hostage, the film fails to build the right tension, fails to create interest in continuing the vision. But above all, it does not add much to other portraits of killer women told with a very different imagination and intuition. A movie like Kate isn’t asked to be Kill Bill, but it looks like a bad copy of certain Luc Besson stories, like Nikita and Lucy , or other well-made films like Salt or Blonde Atomic . In short, Kate seems to us a rather predictable and conventional film. See also Love Hostel Movie Review: How Society, Politics And People In Power Exploit And Their Family In Society Disposable Entertainmentīut they are only quiet moments before the storm. Kate’s action is powerful and brutal, punctuated by the notes, unprecedented for us, of Japanese rock and pop, which ensure a curious tone to the fights. Kate is a violent, nocturnal film, colored by the pink and blue neon lights of Tokyo clubs. It is an adrenaline-pumping film, on the line of many of the films that Netflix offers today, which are pure entertainment, pure action, disposable products to be consumed quickly. Wear a pair of Onitsuka Tiger as Kill Bill’s bride, Kate’s Mary Elizabeth Winstead. However, they are not the now iconic yellow and black ones, but a more conventional white, red and blue. And so, as we will explain in the Kate movie review, the action film directed by Cedric Nicolas-Troyan available in streaming on Netflix from 10 September, we are facing a revenge movie, the story of a lethal and lonely girl against everyone, which certainly does not have the bright colors of a Quentin Tarantino film, but colors – metaphorically, not literally speaking – more conventional and obvious. Kate is an action movie like many others, which doesn’t add much to the genre, to be seen and forgotten quickly. Cast: Mary Elizabeth Winstead, Jun Kunimura, Woody HarrelsonĪ professional assassin is hunted for breaking a code due to a higher order. This harassment occurs on two scales: the personal, because it torments her, and the professional, because it will be sought out by the affected family because of that old decision. Then, ‘Kate’ begins a fight against time and different situations to try to solve the pending before dying. Although this brief synopsis may be familiar from other stories, in the case of the film directed by Cedric Nicolas-Troyan, the following should not be ruled out: it is likely to become another Netflix hit. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |